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・ Alan O'Neill
・ Alan O'Neill (footballer, born 1937)
・ Alan O'Neill (footballer, born 1957)
・ Alan O'Neill (footballer, born 1973)
・ Alan O'Sullivan
・ Alan O. Ebenstein
・ Alan O. Trounson
・ Alan Oakes
・ Alan Oakley
・ Alan Oakley (designer)
・ Alan Oakman
・ Alan Obst
・ Alan Odle
・ Alan of Beccles
・ Alan Mitchell
Alan Mitchell (comics)
・ Alan Mitchell (politician)
・ Alan Mittleman
・ Alan Mobberley
・ Alan Mocatta
・ Alan Moir
・ Alan Moller
・ Alan Mollohan
・ Alan Moloney
・ Alan Monaghan
・ Alan Monkhouse
・ Alan Montgomery
・ Alan Moody
・ Alan Moorcroft
・ Alan Moore


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Alan Mitchell (comics) : ウィキペディア英語版
Alan Mitchell (comics)

Alan Mitchell (born 1960 in London, England) is a writer.
==Biography==
In 1988 Mitchell began writing in partnership with Pat Mills, who met the writer while Mitchell was working as a shop manager for Acme Comics in Coldharbour Lane in Brixton, South London. Mills was looking for a black writer to help him create a nightmare urban world based in the UK. This would complement the one that Mills had developed with his main character Eve and her friends in Central America with a focus on corporate exploitation by the multinationals in the third world. It was the beginning of a writing partnership that would last until 2004.
In ''Crisis'', the revolutionary political comic from Fleetway, Mitchell worked on Books 2 and 3 of the controversial story, ''Third World War''. This was a complex and hard hitting narrative that covered issues including matriarchy, police racism, no-go areas, private police forces, class war, and black resistance (Newsinger, 1999). The stories anticipated the surveillance society and Macpherson by at least a decade. Mitchell also had the opportunity of writing an Amnesty International story "Prisoner of Justice" with Glenn Fabry as artist. Amongst the most memorable ''Third World War stories were "Liat’s Law" parts 1&2 with artist Duncan Fegredo, and "The Black Man’s Burden". This classic quartet of stories, with John Hicklenton's art, introduced the character of the villainous Chief Inspector Ryan, the embodiment of racism within the police force (Newsinger, 1999). The tales provided the platform that Mills had framed for Mitchell to express his political perspective and cultural concerns of the time. The Black African Defence Squad (BADS), and the mothers of Azania, Sonnyboy and Charles Shebego amongst a number of other characters, served to develop a complex and arresting depiction of black African urban culture in comics. Sean Phillips was the other major artist who collaborated on a number of framing episodes. (Newsinger, 1999)
Mitchell partnered Mills in the first ''ABC Warriors'' novel ''The Medusa War'' for Black Library based on elements changed or removed from the scripts. According to Mills:

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